Event equipment. Technical equipment

Technical support of social and cultural events

CONTENTS

1. Development of artistic and technical techniques. Functions

Technical means at each stage of preparation

Events

1. Technical means and installation

Conclusion

Introduction

Currently, the issue of technical equipment for social and cultural events is becoming more and more relevant. It has to do with the extension commercial activities on the market of symbolic products, the emergence of innovative socio-cultural projects, increased competition between various organizations and the constant struggle for the attention of the audience.

The unconditional success of any socio-cultural event is achieved by using technical means that are effective for the director and spectacular for the viewer. At the same time, technical means can act not only as equipment for the socio-cultural program of the event, but also assist in the development of this program from the initial to the final stage, facilitate the work of the director, creative and technical team.

C There is an area of ​​theory and practice associated with the use of various artistic and technical means in order to create a single artistic form of the event - scenography. If artistic design presupposes, first of all, the participation of technical means in the design of an already developed stage action, then scenography sets another task, a more creative one - participation in the creation of the action itself by various artistic and technical means. All artistic, decorative and technical means that are used by club institutions in the implementation of the scenario and director's intention of a particular program, event, are considered by scenography as elements that create a single artistic form of this program.

1. Development of artistic and technical techniques.

Functions of technical means at each stage of preparation

Events.

The so-called "complex use of technical means" makes it possible to understand precisely the scenographic approach. The term "complex use of technical means" is often interpreted from a quantitative point of view: the more the organizer (director, manager of social and cultural activities, etc.) has managed to use various technical means in the design of the event, the better. At the same time, the main and only criterion for the effectiveness of their use is technical compliance with state standards.

Scenography, developing the concept of the event as a whole, as it were, combines within its framework all the main components from which an integral form is created: the action of the participants and the play of the performers, as well as the scenario and director's decision, artistic and decorative, lighting, sound solutions. In social and cultural events, we are talking not only about the design of the stage, but also the entire space: the stage, the auditorium, the lobby, the club building and approaches to it. At the same time, all available means are guided by the solution of the main task the creation of an artistically integral event with an optimal environment for intra-classroom interpersonal communication. Thus, the main elements of scenography in social and cultural events are: the artistic and decorative solution of the interior and stage space, stage technology, lighting and sound solutions.

If we proceed from the fact that any cultural event goes through three main stages of creation (scenario directing performance), then the complex use of technical means involves, first of all, their use either directly as a means of artistic expression at each of these stages, or as means of optimization actions. Each stage has its own expressive means, and a creative club worker must clearly understand the possibilities of technical means in them.

As you know, the scenario and dramaturgy visual and expressive means include: plot and composition, monologues and dialogues of the participants, the system of artistic images, situations and actions, the atmosphere of the event, etc.

Directing and staging means in social and cultural activities: active actors and real heroes directed by the director, mise-en-scene, artistic and decorative solution, light, sound and all other means of creating the environment of the event.

Performing means: actions and deeds of the participants, their reaction to the environment and assessments, internal monologues, tempo, as well as professional excellence in various types of creativity song, dance, music, etc.

Thus, the problem of the complex use of technical means consists primarily in the development of artistic and technical techniques, their functional application at each of the creative stages. And the development of these techniques is possible only on the basis of an analysis of the accumulated experience, primarily in the field of technology. But what does it mean to analyze the technology of a socio-cultural event? It is primarily to seek the answer to the question "why?". Why is the screen hanging here, while in another case the projection goes to the curtain; why props here and real objects there; why here is an exhibition, and there is a radio newspaper; marches sound here, and there chamber music, etc.?

Analyzing the features of the environment in the involved space of various forms of socio-cultural activity, two main artistic and technical principles of its organization can be distinguished.The first is characterized by the following features:

• a real object dominates as a detail, having a biography and a certain social significance;
• the composition of the involved space is the environment in which the real life activity of the audience takes place;
• Mounting transformations are the result of the real action of the audience, the form of their will.

This artistic and technical principle is inherent in such forms of work as exhibitions, rallies, grand opening of monuments, as well as club events of a ceremonial nature (meetings, seeing off, honoring, etc.). Here, all the technical means used are aimed at emphasizing the symbolism in the location of the participants, in their costumes, conveying or emotionally enhancing the sound of the biography of the detail, emphasizing the significance of the changes taking place, i.e., the mounting transformation. In this case, these transformations (passages with banners, emblems, etc., cutting of the ribbon, falling of the veil from the monument, singing of hymns, etc.) always have a great social meaning, technical means strive to fully reveal it to the audience.

The second principle creates a conditional environment, which, moreover, is given, as it were, through the worldview of conditional heroes and is already characterized by other signs:

• a plausible, but decorative detail with a revealed poetic essence dominates, so to speak, with a bare background;
• the composition of the involved space only resembles the place of action;
• means of mounting transformation are completely similar to theatrical ones.

In this case, additional tasks fall on technical means to create the illusion of the reality of the proposed circumstances, i.e., the details and composition of the stage platform on which the action takes place, but often also to imitate the action itself. Both of these principles are present in various proportions and combinations in most forms of socio-cultural activity. This artistic and technical feature, if neglected, often leads to the creation of a false environment, which today is one of the most serious shortcomings of many socio-cultural events.

It is precisely the mixture of artistic and technical principles of the organization of the environment that explains the situations when the audience is either shackled by the formal atmosphere of unnecessary splendor and pomposity, which is perceived by the participants as cold formality, or paralyzed by inappropriate game conventions, to which the audience is clearly not disposed to participate. I must say that, unfortunately, very often employees of various cultural institutions create a conditional environment and offer a real audience to exist in it like an actor for a long time. But such a situation is possible only in a mass action of a celebratory nature, when the audience knows in advance and prepares to fulfill its role in the common game.

A typical example of a discrepancy is the situation when a small team (brigade, link, etc.) is invited to honor one or a group of their comrades and finds themselves in an environment dominated by marches, solemn parade lights, an abundance of slogans and posters, large-format film exhibitions and etc. In this environment, there is no living relationship, this event is not aimed at achieving the intended goals.

It is important to note that when the nature of the event coincides with the artistic and technical content and the creation of its environment, the audience always has a sense of satisfaction.

Technical means are bright auxiliary means artistic expressiveness not only in the creation of the environment, but also in the development of the main components of the creative concept, in particular, the plot and compositional solution.

If we proceed from the fact that the plot, for example, in club dramaturgy is a set of some phenomena, events (or game elements) arranged in a certain sequence and revealing the theme in the intended volume, characterizing a particular conflict, then it should be noted that that technical means can play a significant role in its development.

When working on a plot, the main creative difficulties in developing a socio-cultural event arise when solving three problems:

1. development of a certain sequence of presentation of the material, the logic of the development of the main idea, which is associated with the search for an interesting scenario move.
2. organization on this basis of event-related, i.e. conflict, action.
3. development of an artistic and imaginative solution to the whole idea, i.e., the creation of a single artistic form of the event.

In solving all these difficult problems, technical means can act as indispensable assistants. Take, for example, the participation of technical means in arranging an event in a scenario. And to begin with, let's consider the chain fact document event through the prism of technical means.

All these various means, in which separate facts from our life are recorded, act as documents for us. After all, they not only conserve information about a fact for a long time, but also certify its authenticity. A document is a way of fixing a fact by some means. And when we say that drama has a documentary character, we mean, first of all, that it is based on facts that have taken place in life and recorded in various ways,

Technical means of fixing a fact have a number of advantages over others. Firstly, they have a large so-called "information capacity" (for example, a slide portrait in color gives instant information about a person in several parameters at once: age, appearance, mood, character, etc.). Secondly, technical means have the same ability to transmit both rational and emotional information. This is important in the sense that the means of fixing a fact, having got into the script, become at the same time the means of influencing the audience, which is always more interested in "watching the facts" than listening to a story about them. Therefore, already at the stage of collecting and selecting factual material for a future plot, with the help of means of fixation, the material is given the necessary coloring, various interpretations.

Thus, technical means in modern socio-cultural activity are increasingly being established as the leading means of fixing factual material for two main reasons: technical means increase the efficiency and quality of fixing a fact, the efficiency of collecting material; technical means make it possible to record facts from various angles; against a different background, highlighting the most characteristic, the most significant for us, that is, they allow, already at the stage of collecting facts, to convey the author's vision of the material, to show local material from an unusual angle.

The audiovisual nature of technical means greatly expands the possibilities of using the so-called "recognition effect" for these purposes. After all, the characters and circumstances in the visual and auditory perception of the audience appear as they are known, "as in life." And the more actual material is recognized on the screen or on the air under the conditions of a mass event, the more interest this material arouses, the weaker the critical attitude towards the idea that this material carries or motivates.

Of exceptional importance in the plot-compositional processing of material is the process of finding a successful scenario move, that is, that way of telling a story, presenting a plot that runs through the entire theatrical event, underlies its entire structure. It has a significant impact on almost all elements of theatricalization, and often even performs the function of the plot itself.

The transformation of some kind of light and sound effect in the context of the development of a theatrical action can serve as a kind of scenario move (technique) that passes through the entire event and determines its compositional construction, or act as a generalized image.

For example, in one of the New Year's interludes for children, a large crystal chandelier was successfully used in the center of the ceiling of the auditorium. The scenario was built according to the traditional scheme: Santa Claus and his friends are looking for a magic wand stolen from him, without which he cannot light the main Christmas tree of the holiday. In the course of the search, the whole friendly company overcomes a lot of obstacles, fighting the intrigues of insidious kidnappers. And depending on how this fight went, the central chandelier burned differently: the closer Santa Claus and his friends were to victory, the brighter the chandelier burned, and vice versa.

The hall followed the change in the light of the chandelier, seeing in this the struggle between good and evil. It is noteworthy that the culminating scene of the search the meeting of Santa Claus face to face with the kidnapper was generally taken out of the frame by the screenwriter: it took place outside playground. All friends of Santa Claus and friends of the kidnapper from the stage and all the spectators in the hall "followed" the duel by the changing light of the chandelier. There was a moment when it almost went out completely, to the delight of the "thieves" against the backdrop of a hushed audience. And when it finally shone with all its lights, the children in the hall gave a storm of applause, it was no longer a chandelier, not a technical lighting device, it was an image of a bright and pure holiday, an image of goodness. But at the same time, it was also a kind of scenario device, through which the development of the plot was realized to a large extent.

Technical means can form the basis of the scenographic principle of the entire plot and compositional solution. So, in one of the theatrical evenings of the Vyborg Palace of Culture in Leningrad, in honor of the anniversary of the Great October Socialist Revolution, there was an episode "Dispersal of the demonstration", dedicated to the events of 1905 on the Vyborg side. This mass scene was solved with the help of technical means with the participation of only three performers, although the audience perceived the action of a significant mass of people.

Early morning. A lone lamp in the square burns dimly. In front of him, on half-broken boxes, were three teenagers. The sound picture of the awakening of the working outskirts is heard big city. The guys are waiting for the arrival of "our procession". Here, on the square where they are waiting, will be "the most important thing." And then, finally, the guys heard, and then "saw" a procession of workers at the end of the street. The audience of the evening also, as it were, sees this procession with them. The sound picture of the procession of workers, gradually intensifying, moves along the left side of the hall to the stage. The guys on the stage are already calling to their friends in a column, which, it seems, is a little more and will go on stage. But suddenly, at the other end of the street, the boys "in the frame" saw (along with them and everyone in the column) something that extinguished the general excitement and screams. One of the guys shouts to his "behind the scenes": "Cossacks!" and points to the opposite end of the hall. There, on its right side, gradually growing, another sound picture is moving towards the stage - a Cossack hundreds slipping along the pavement. Here are two sound pictures a demonstration of workers and a Cossack hundred , as it were, stopped in front of each other. We "see" what is happening "behind the scenes", off the stage. And on the stage - teenagers at the lantern with boxes, caught between two hostile forces. There is a verbal duel of demonstrators and Cossacks. The command is heard: "Checkers out!" The dispersal of the demonstrators begins. The voices of people swept across the stage, cries and lamentations, the neighing of horses, the ringing of a broken lantern, the beams of searchlights, which sometimes fall into the figures of three teenagers seeking salvation from this nightmare.

Gradually, the sound picture of the dispersal of the demonstration is removed on both sides of the hall. The square is quiet again. It's morning already. The scene is flooded with the rays of the rising sun. Traces of the pogrom are visible everywhere: pieces of clothes, children's toys are lying around, boxes are scattered. Frightened teenagers crawl out from under them one by one. They are shocked by what they see: "Animals! Animals! It won't go unnoticed for them!.."

It seems that the solution of this mass scene with the help of technical equipment is optimal, because if a club director had introduced here a mass of performers with their attributes (not to mention horses), then he would hardly have received a more dynamic, convincing and large-scale picture of the dispersal of the demonstration, than which technical means created in the imagination of the audience.

2. Technical means and installation

In order for the attention of the participants of the club event to be focused on the general plan of the stage, the hall or on any particular detail, the mise-en-scene should be built on the basis of the installation of various stage plans with the active use of technical means. In the structure of most artistic images, elements of montage imagery are present to one degree or another.

An example of montage imagery can be a student episode from a thematic disco program, "Nature and Us". Using a five-slide montage and a simple audio sequence, a compelling image of the theme was created:

• first slide a large field of daisies, the sounds of a summer day are heard: the singing of a lark, the buzzing of a bee.
• the second slide is a close-up of one camomile.The noise of an approaching motorcycle is heard.
• third slide very close-up of the flower; the sound of the motorcycle drowned out all other sounds, he is already in the foreground.
• the fourth slide on the whole screen only the yellow "peephole" of chamomile and at the same time the deafening roar of a speeding motorcycle. Then there is silence. Only the noise of a receding motorcycle is heard, there is a click of a metronome.
• the fifth slide is a daisy dented into the ground by a motorcycle wheel.

The presentation of the first four slides was tempo-rhythmically built with acceleration against the background of increasing sound. Last slide showed up to the sounds of a measured metronome. Such mounting techniques are simple and affordable; they make it possible to develop such complex and lofty themes as "peace", "war", "victory", "unity", etc.

As in cinema, montage in theatrical performances can create or break the continuity of the action, condense or stretch it. In other words, images of conditional space and conditional time appear during editing. It is montage that makes it possible to create an image of a complex, changing space, to show it in different directions, from different positions and on different scales.

Editing leads to optimal interaction of all components of a club event: performances of participants, mise-en-scène, projection, changes in light and sound and sound solutions, etc. The underestimation of montage explains the protractedness, cumbersomeness of many of our mass events, their painful tempo-rhythm and disproportionate proportions.

In modern practice, editing with the use of technical means gives scope for a compositional solution in scenarios, the ability to freely transfer scenes that take place in the present, past or future time, combine real action with memories, with fantasy, show biographies through their fragments, etc.

There are many definitions of montage: logical, narrative, serial, functional, cross, parallel, mute, sound, rhythmic, musical, intellectual, dynamic, spasmodic, color, overtone, dynamic, cellular, analytical, constructive, impressionistic, metaphorical, ideological, thematic . It is important for us to note that montage can be visually imperceptible, hidden in form, built on the principle of collisions or sound-visual counterpoint, and, finally, be only a play of colored spots or geometric shapes, lines.

Currently, in the disclosure of event material in theatrical forms of social and cultural activities, the montage of such elements as a documentary frame (slide, film frame), documentary word (speeches of participants, texts of documents read out, etc.), a documentary soundtrack ( predominantly with historical material).

Practice shows that the success of this or that episode of the program is due to the bright, imaginative editing. In particular, the so-called "asynchronous sound-visual montage", that is, the combination of visual and sound elements according to the principle of non-coincidence, has great expressive possibilities for a socio-cultural event. When using this method of presenting material, an active positive reaction occurs in the hall, and in some cases its high educational effect was noted. For example, in the club of one poultry farm, a question and answer evening was held, at which the head assured the workers that by the summer the amenity premises (“change houses”) would be overhauled. Questions and answers were recorded on tape. And in the fall, at one of the evenings, the following fragment appeared: black-and-white transparencies depicting dirty, dilapidated "cabin houses" were mounted along with cheerful assurances from the head that everything would be repaired by summer. There was laughter in the hall. The fragment was repeated on another evening, and after that the repair of the "cabin houses" began. The above example shows how asynchronous sound-visual editing (slide and soundtrack) gave sharpness and emotional power to the factual material, contributed to the fact that the club evening turned into an effective means of forming public opinion.

Modern technology allows you to combine the visual and sound range in a wide variety of combinations. The editing of sound and video sequences can have the most various forms:

1. Editing of a video sequence in combination with a soundtrack of noise or music, or a combination of them in the absence of speech.

2. Editing of the video sequence using the announcer's text, the text of the presenters, documentary speech.

3. Editing video and text on some kind of sound background.

4. Editing a video sequence with an internal monologue of the hero or alternating a video sequence with a normal conversation in the hall; this form of montage is often used in themed evenings and especially in portrait evenings.

So, at one of the evenings dedicated to the veteran of the state farm, the oldest inhabitant of the village, the story about his youth was based on the installation of two sound and two visual components. The hero of the evening, together with everyone, looked at slides with photographs from the past of the village, country, his life. And at that time his voice sounded: he slowly, as if aloud, recalled. It was not a comment, but an inner monologue of an elderly man, his leisurely reflections on life. This story was supplemented by various musical screensavers.

5. Editing a video sequence with conditional imaginary sound. These are, as a rule, whole sound pictures that draw memories, hallucinations, dreams, dreams, sound juxtapositions, etc. Usually, in practice, in this form of editing, the video sequence is given in close-up with a gradual enlargement of the detail.

On the occasion of the anniversary of the October Revolution, in one of the Palaces of Culture in Leningrad, a big evening was prepared for pioneers and schoolchildren, in which the central place was occupied by a composition about the boys of the civil war, built as "revived memories" of a participant in the civil war, inspired by Budyonovka from the school museum.

The composition began with the opening scene of the school museum. Each exhibit was snatched out in turn by a beam of light, and sound pictures of bygone days burst into the hall. They sounded from different plans of the stage and the hall, then gradually subsiding, then intensifying. And now only one sound picture sounds in the foreground - the reception of volunteers for the Red Army, and on the gradually darkening stage two bright light beams remain, illuminating the veteran's face and Budyonovka. The light turns on and the stage is no longer a museum, but some kind of room of the 1920s, it is filled with Red Army soldiers. The commander hands over the "same" Budyonovka to a thin teenager.

In this case, the montage, based on the alternation and combination of several sound pictures and details (museum exhibits), was a means of creating a kind of scenario technique through which the content of the composition was revealed.

6. Editing a video sequence with noise or music drowning out speech and dialogue, speech distortion, mute articulation, action without words, silence. In the composition mentioned above, with the help of this composition, the action returned from the 20s to the present, to the school museum.

This technique in artistic mass work can perform a variety of creative functions, from showing the time of action to conveying the inner state of the hero. As practice shows, this form of montage has a great power of emotional impact only if the darkness as a component of the montage has a thoughtful, precisely adjusted proportion with the rest of the components, when its duration is justified.

Conclusion

Technical means, like magicians, give us for the duration of the event a wonderful ability to figuratively convey the world in such a diverse and mobile form, which is inaccessible to us in ordinary practice. Now there is a kind of “arms race” with technical means, because it is their high-quality and original use that allows us to accomplish two main tasks: to attract the attention of a sophisticated audience and to effectively convey the thematic, ideological idea, the director’s super-task.

At present, it is necessary to adopt innovative experience in the use of technical means, improve the existing technical base of cultural institutions, train managers of social and cultural activities in the basics of interaction with numerous technical resources and their expediency of use at certain stages of the event, installation technology for efficiency in the preparation and conduct of events.

In our agency you can order a complete technical support activities you are planning. We will help not only prepare your event by writing a holiday script, selecting hosts and artists for your program.

The Proconcert agency organizes holidays on a turnkey basis, including the necessary technical support. Of course, we undertake all work on the installation of equipment. If necessary, together with lighting and musical equipment, we will provide a specialist to resolve technical issues during the event.

What equipment may be required for the holidays?

The list of necessary technical support depends on the level of preparation of the site where you hold the event. Before renting equipment, check what is already in your site's arsenal. If you have a large-scale event coming up and a lot will depend on the quality of the equipment, we recommend not to be lazy and check the quality of the equipment in advance. To clarify the list of equipment that needs to be rented, and not look for what you need at the last minute.

The Proconcert agency offers the following equipment for rent:

• Professional lighting products
• Devices for lighting effects and light control
• CD players
• Mixing consoles
• Headphones and required switches
• Professional DJ Equipment
• Acoustic systems and sound amplification systems
• Microphones
• Monitors

Our agency is approached for equipment for hire for holidays and other events. We organize technical support for weddings, corporate celebrations, presentations and opening ceremonies, awards. We are also engaged in large-scale events of the level of the day of the city.

In addition to the technical support of events, the Proconcert agency provides a full range of services for organizing and holding outstanding events. People turn to us if you need to make a turnkey holiday, from the idea and selection of artists to the event. Benefits to entrust technical organization holiday "from" and "to" the agency is obvious:

• We are fully responsible for the technical support of your event and guarantee the high-quality operation of the equipment that we provide for rent.
• Ordering all the equipment for rent is beneficial not only because of the quality assurance. By renting equipment in one place, you save on both rental and transport costs. Add to this an accurate understanding of who is responsible for the technical support.
• It happens that when ordering equipment in different places, you can get low-quality equipment for rent. And it may turn out at the most inopportune moment - at the event itself. Having ordered technical support from us “from” to “to”, you transfer responsibility for technical training to our specialists. We are in without fail We check the quality of the equipment that we provide for rent. And in case of malfunctions, we eliminate them on our own.
• By entrusting organizational issues to the Proconcert agency, you can be calm and confident that your event will go as you planned it.

Our equipment rental options are not limited to concert equipment and lighting fixtures. You can order for rent any equipment that may be required for the event. We are ready to fully equip an event of any scale with everything you need. From children's day birthday to the city's birthday. You don't need to search for anything else. If you contacted the Proconcert agency and entrusted us with the organization of your event, we will do all the technical part ourselves.

What else can you rent?

• Tents and awnings for open air events
• Modular stages and podiums (together with installation)
• Crockery, textiles and necessary furniture
• Fences to divide the space at your event
• Electrical generators
• Projectors, screens and press oxen
• Furniture and equipment for press conferences

If you do not see the equipment you need in this list, call our specialist at Proconcert. Surely we can find everything you need or offer another optimal solution. To get information about what is needed for your event and how much it will cost, call our manager by phone -. We will be happy to answer your questions and recommend the best solution.

If you want your holiday to be spectacular, dignified and luxurious, then you should think about the technical side of the event. We note right away that the technical equipment must be professional, it must be used during the event only by qualified specialists who know all the features of special equipment. If you contact our holiday agency "Art-Show", then you will take the right step towards organizing your holiday. We cooperate with the best specialists and recommend real professionals to you.

Types of technical equipment for a holiday or event

Holding holidays is a responsible process that requires careful preparation. It will be required not only to think over the script, to organize a show program, but also to use high-quality and high-class equipment. It is the technical equipment of the event that ensures the quality of the entire event.

By contacting our holiday agency "Art-Show", you have an excellent opportunity to order the services of specialists who will use high-tech, modern equipment in their work. All with whom we cooperate are ready to offer the following types of technical equipment:

• light and sound equipment - during the event, the power of musical equipment is very important. In the process of choosing a specialist, it is important to competently approach the selection of equipment, taking into account the size and volume of the site where the holiday will take place. And in order for the show program or performance of the artists to be amazing, spectacular and brilliant, lighting technical equipment will be used;
• projection equipment - in recent years, it is this technical equipment that has been incredibly popular. This is obvious, since with the help of such equipment it is possible to demonstrate everything that happens on the stage. Even if the guests sit remotely, in the corner of the banquet hall, with such equipment they will see everything and actively participate in the event;
• stage structures - entertainment must necessarily take place on a special stage or podium so that all the guests present in the hall can watch what is happening. Many establishments are not endowed with such a platform and then it will be necessary to install special stage structures. Those partners with whom our agency cooperates are reliable and responsible specialists who are ready to erect structures of any complexity in a short time;
• special effects - of course, the whole entertainment of a holiday or event depends on such equipment. Lasers, various pyrotechnic effects will be the highlight of the whole event. Absolutely all invited people will be impressed by what they see;
• tents and awnings - such equipment and equipment is intended for holding a holiday in the bosom of nature. Thanks to such designs, it is possible to install spacious, luxurious banquet halls right in nature. They will not only shelter from the rain and the hot sun, but also from the wind;
• furniture for the event - today, more than ever, it is important to hold various outdoor events. Organizing an event on the terrace of a restaurant is the perfect place. But if the event is organized remotely from civilization, then you need to think not only about tents and awnings, but also about furniture. All items offered by the partners of our holiday agency "Art-Show" are exquisite and elegant products. They will complement the tents with comfort and coziness.

Do you want your party or holiday to bring joy and a lot of pleasant emotions to your guests, and most importantly, to highest level? In this case, you will have to take care of a whole range of activities, including equipping the premises or open area everything you need: furniture, snacks, drinks, music, entertainment, decorations, etc. Of course, it is quite difficult to cope with such a difficult task as organizing a wedding, a large corporate party or other official holiday, but professional support during the organization of holidays will be most welcome.

The site https://marveldjs.com/events presents a wide range of various complex solutions for organizing events of various shapes and sizes. Turning to the services of this organization, you can easily organize a holiday for 100 and 500 people, equipping the place with high-tech acoustics and lighting. However, before ordering the services of professionals, you need to understand what specific type of equipment suits you best.

Technical equipment of events from and to

If we talk about major holidays, which are planned to be held on a spacious territory or on the road (for example, in a botanical garden or in nature), there is a need to attract:

• video equipment;
• lighting equipment;
• stage structures;
• sound and special effects equipment.

All the listed technical equipment of events can be used at charity events, at auctions, at presentations new products or when opening companies. There can be many reasons for such a large-scale preparation. the main objective- determine the type and number of necessary devices, preferably based on the recommendations of professionals who know exactly how and where all structures should be placed. Moreover, if there is a presentation of a new product or a video sequence needs to be launched on a projector, the location of the stage structure and the quality of the video delivery will be an important component of success. If you work in close tandem with professionals, the holiday will bring the desired effect and help create the right atmosphere, regardless of the allocated budget or the number of guests. Even when organizing a small outdoor party, you can attract professionals who will help you install karaoke equipment and DJ consoles, which will become the main entertainment for the gathered company.

Regulations on holding the festival

Art Week 2015

Target: identifying and developing the creative abilities of students, developing an aesthetic perception of the world in children through familiarization with various types art.

Tasks:

1. Raising a sense of respect for national culture and world culture as a whole.

2. Support for creative undertakings that have a special cultural and social significance for society.

3. Expansion of ties and exchange of experience between teams.

4. Increasing the artistic level of the repertoire of groups and the performing skills of the participants.

5. Development creativity students through the search for means of expression in the process of performing works.

6. Stimulating the creative activity of teachers and teams by creating a holiday atmosphere and emotional responsiveness of participants.

Festival dates:

The festival is held for 4 days on the basis of GBOU secondary school No. 218 of the Frunzensky district at the address: st. O. Dundich, d.26, building 2.

Beginning of concert and festival programs at 14.30 assembly hall schools. The attendance of the participants for the concert no later than 14.00.

Organizers:

GBOU secondary school No. 218 of the Frunzensky district.

Terms of the festival:

Students from 7-17 years of age can take part in the festival. creative teams ODOD Frunzensky district.

The order of the festival:

Application deadlines for participation in the festival "Art Week-20115" March 1st to March 31st 2015 on e-mail [email protected], [email protected]

The application form for participation in the festival "Art Week" is placed in the annexes (№№ 1,2,3,4. Filled in in accordance with the chosen Day of the "Art Week")

Technical equipment of events

Participants of the festival days are provided with: a projector, a screen, a laptop, 2 radio microphones, 2 wired microphones, an instrument (piano).

1. Poetry Day

Format: competition

Criteria for evaluation:

Selection of a work (correspondence of the performed work to the theme of the competition; artistic level and originality of the work).

The novelty of a work of art.

Artistry.

stage culture ( appearance; stage presence).

The original form of performance (musical, dance accompaniment, staging).

Jury competition day:

The jury consists of teachers, methodologists of the educational institution of the Frunzensky district. A separate jury will be formed for each age group of participants.

Nominations:

· "The city on the free Neva" (poems dedicated to St. Petersburg)

· “I don’t regret, I don’t call, I don’t cry…” (performance of works of various subjects by S.A. Yesenin, dedicated to the 120th anniversary of the birth of the Russian poet).

Timing of performance - no more than 10 minutes

“I am writing with a careless hand,//So that after many boring years//From a short but rebellious life //Some trace remains” (performance of works of various subjects by M.Yu. Lermontov, dedicated to the 200th anniversary of the birth of the Russian poet ).

Timing of performance - no more than 10 minutes

Timing of performance - no more than 5 minutes

Summing up the competition day, awarding:

The results are summarized in each age group. The winner in the nomination in each age group is the reader who scored the highest amount of points.

Participants who won prizes in each age group and in each nomination are awarded with Diplomas of the winner. Other participants are awarded Certificates.

Information about the time and place of awarding the winners of the competition day of the festival will be posted on the school website http://218spb.wix.com/218spb

1. Dance Day

Nominations:

• Modern directions of choreography (jazz, modern, step, free plastique, classical stylization).
• Folk dance (Dances of the peoples of the world, folk stylization).
• Sports dance (dance with elements of sports choreography or acrobatics, hip-hop, break, ballroom dance with a free program).
• Solo dance.

Condition: from each OU there can be no more than one number in each nomination.

1. Theater Day

Nominations:

Theatrical miniature

Literary and musical composition

Timing of the speech: Miniatures - no more than 10 minutes, literary and musical compositions - no more than 20 minutes

1. Day of music

Nominations:

academic vocals

・Popular singing

· Vocal ensembles (jazz/variety/academic)

Instrumental performance (solo, ensemble)

Folklore (ensembles/solo performance)

Vocal and instrumental ensembles

Condition: from each OU there can be no more than one number in each nomination

The procedure for awarding participants of the festival:

At the end of each festival day, all participants, teams and their leaders who took part in the festival are awarded Participant Certificates.

Information about the time and place of awarding the winners of the competition day "Poetry Day" will be posted on the school website http://218spb.wix.com/218spb